Event Summary Jun Lucas hosted a 75-minute livestream for his inner circle, sharing behind-the-scenes progress on stage choreography and costumes for upcoming performances. He previewed draft dance rehearsals for multiple songs, shared a “Save As” choreography tutorial link, and discussed plans for future shows and a streamed performance.
Topics Livestream notifications (Discord vs email) Choreography development and rehearsal review Bring the Lies End choreography progress Save As choreography tutorial (Sophia Pargas) +5 more
Jun starts the livestream early, greets viewers, and explains he’s going live early to send notifications. Jun asks how viewers were notified (Discord vs email) and collects feedback on what worked. Jun shares an ~80% finished, work-in-progress choreography preview for “Bring the Lies End,” framing it as inner-circle backstage access. Jun explains he will choreograph the last part himself and shows a rotated clip to fix a sideways video. Jun introduces a surprise: a “Save As” choreography tutorial link taught by Sophia Pargas and plays part of her instruction. Jun shows a “Save As” video clip and describes filming in freezing Boston weather (20°F), impacting performance. Jun previews first rehearsal submissions: “Long Distance,” praising how well dancers learned from video. Jun reviews “Save As” rehearsal, notes it needs drilling, and says the tutorial will help dancers match original choreo. Jun reviews “Put It On Me” rehearsal chorus, compares with original/behind-the-scenes clips, and notes difficulty of doing parts while rapping. Jun highlights dancer Jaden performing despite having a fever, praising her commitment. Jun replays “Bring the Lies End” choreo, jokes about a move he refuses to do on stage. Jun shows planned costume looks (including Makeway jacket and all-white look) and credits Sasha and Sarah Beth for costuming help. Jun discusses show timing (September ~5th), says it will be streamed, discourages expensive travel, and previews tomorrow’s stream with performances/storytelling. 